I have not painted figures so much, and rather few birds, so I thought I’d give this little one a go. Some people told me this is a female goldfinch. I have no idea.
Source Image
Sketch with masking fluid
Body
Background and Branch
The background was primarily dark, almost completely black in the source photo, but I wanted to give it a bit more life. I started on the left edge using the chromatic black mixture from above, dropping in some French Ultramarine here and there, working my way to the right. I stopped and then wet the paper from the right edge, and let the leading edge soften into it.
The branch was a bit more of the chromatic black, thicker than the background.
While the paint was still slightly wet, I scraped out the snow / rain drops, and some texture on the branch.
Mask Removed
Materials Used
Paper
- Arches Aquarelle, 140lb cold press, 9×12, sheet from a pad (taped on gatorboard)
Paints
- Winsor and Newton Aureolin (Cobalt Yellow)
- Winsor and Newton Raw Sienna
- Daniel Smith Cobalt Blue Violet
- Daniel Smith Quinacridone Burnt Orange
- Chromatic black mixture of Winsor and Newton French Ultramarine with Daniel Smith Quinacridone Burnt Orange
- Winsor and Newton French Ultramarine
Brushes
- Dreamcatcher round #14
- Dreamcatcher round #10
- Dreamcatcher round #6
- Alvaro Castagnet needle point brush #8
- various Cheap Joe’s Ugly brushes for applying masking fluid
Misc
- Peabo Drawing Gum (masking fluid)